Still Life With Iris
Teacher's Guide

Still Life with Iris
by Steven Dietz

PERFORMANCES

October 1, 4, 5, 7, 2004 • 1:00 p.m.  • Lawrence schools
October 6, 2004 • 1:00 p.m. • Rural schools

Tickets for school matinees are $2.50. Complimentary tickets are available for teachers and students on free/reduced lunch programs.

Saturday, October 2, 2004• 2:30 p.m.• Public performance

Tickets are $5 for K-12 students, $10 for adults, and $9 for senior citizens. For reservations, call the University Theatre Ticket Office 864-3982. The Ticket Office is open from 11:30 a.m. to 5:30 p.m. Monday through Friday and an hour before curtain time for the public performance.

All performances are in the Crafton-Preyer Theatre in Murphy Hall on the KU campus.

Most appreciated by families and children ages nine and up.

Children with hearing difficulties may use special hearing devices, provided by Friends Of the Theatre, in the Crafton-Preyer Theatre.  Teachers should make arrangements in advance with Erika Crane, 864-5576, or the University Theatre Ticket Office, 864-3982.

Preview for Teachers and Parents

7:00 p.m., Thursday, September 23

Parents, teachers, librarians, and other school staff are invited to attend the final run-through rehearsal of Still Life with Iris in the Crafton-Preyer Theatre in Murphy Hall. The purpose of this preview is to acquaint you with the play in its final, actor-rehearsal stage before finished scenery, costumes, lights, and sound are added during technical week--so you may prepare students in advance of their attendance the following week. The rehearsal will begin at 7:00 p.m. and to run non-stop until approximately 8:00 p.m. We encourage you to ask questions and to discuss the play and its performance techniques with us. Lawrence teachers may obtain In-Service Points through Ann Bruemmer, Arts and Humanities Coordinator.

Drama Workshops

Actors from Still Life with Iris and Jeanne Klein are available to visit elementary classroom students who have attended this production. A free, one hour (or less) drama workshop with actors is intended to extend the play’s themes, to encourage students to role-play analogous situations, and to answer questions about this production and theatre.  To take advantage of this service-learning opportunity, contact Erika Crane, TYP Assistant, or Jeanne Klein (864-5576) to schedule a classroom visit.

The Story of the Play

Still Life with Iris is a fantasy-adventure about a young girl’s search for home. The play takes place in the magical Land of Nocturno where residents take care of all the wonders of nature at night. These people include the Lady Bug Spotters (Hazel and Elmer) and their mother, the Leaf Monitor; the Flower Painter, the Lightning Bolt Bender, and the Memory Mender, who repairs everyone’s Past Coats–-colorful, patchwork coats which contain each person’s individual memories. Iris lives with her Mother, the Wind Whisperer, but her Father, the Day Breaker, mysteriously disappeared 10 years ago during the last Great Eclipse and no one knows what happened to him.

The rulers of Nocturno, the Great Grotto and Gretta Good, live nearby on Great Island in a Great Room which contains only one, best thing of everything–-one book, one drape, one chair, etc.  They force Iris to live with them as their one, best, only daughter by sending their servant, Mister Matternot, to get her. He gently convinces Iris to give up her Past Coat–-her identity and sad memories of home.  Iris’ Mother, who also has her Past Coat taken away, now thinks she is Miss Overlook, and she cannot remember her daughter. Although Iris has lost her identity, she still has one button that came off her Past Coat, which allows her to see and remember the Still Life picture of her home–-three white chairs and a white table with an iris flower in a vase.

Iris arrives at the Great Goods’ Room wearing a new robe and only one, best shoe which hurts her foot. Mister Otherguy, a servant, gives her one perfect raindrop to drink, and the Goods give her one toy box which contains one doll locked in a glass case. When Iris plays alone wishing for a playmate, Annabel Lee, a pirate’s daughter, appears, longing to be free of her chains. When Iris wishes for more than one star so Annabel can find her lost ship, Mozart, the young composer, appears, and a key from his piano unlocks Annabel’s padlock. The Goods send Annabel away, but they decide to keep Mozart as their one, best son. They give him another piano–-with only one key–-and invite the Memory Mender to tailor a new suit for him.  But when the Memory Mender sees Iris and gives her clues about her true identity, the Goods take away his Past Coat and make him their servant, Mister Himtoo.

In another Dark Room, Annabel Lee returns, having found her ship and an old, weathered Past Coat. When Iris confronts the Goods with this Past Coat, they lock her inside a glass case, just like the doll, but Annabel Lee and Mozart show them the rest of the lost Past Coats. Mister Matternot, Mister Otherguy, and Mister Himtoo realize the Goods have stolen all of their identities, and they chase the Goods away and free Iris from her glass prison.

Iris returns to the Still Life image of her real home, where Mister Matternot puts her mother’s Past Coat on Miss Overlook. With her identity regained, Mom realizes that he is her husband, Iris’ father, from the scars on his hands. They give him back his Past Coat, and Annabel Lee and Mozart bring back Iris’ Past Coat as well. Now that the family has been reunited and everyone’s Past Coats have been returned to their rightful owners, Iris’ Father raises the sun for a new day, as Mozart completes the serenade he has been searching to finish.

About the Play and Playwright

Still Life with Iris was the first children’s play to win the Kennedy Center’s Fund for New American Plays Award.  Its longer, 90-minute version was originally produced by the Seattle Children’s Theatre in 1997, with KU alumnus, John Abramson, in the role of Mister Matternot and several magical illusions created by Steffan Soule and Cooper Edens. Since then, many other professional and educational theatres have produced this popular play across the country.

Steven Dietz has written many other noteworthy plays for both children and adults, which have been staged professionally across the United States, Europe, Australia, South America, Japan, and South Africa. His adaptation of Joyce Simmons Cheeka’s The Rememberer, about a young Native American girl’s experiences in an Indian mission school, was awarded the 1994 Lila Wallace/Reader’s Digest Award. His other widely produced plays include Force of NatureFoolin’ Around with Infinity, Trust, Rocket Man, Handing Down the Names, and Halcyon Days.

Visit www.kutheatre.com to see designs for our production and to participate in more events celebrating our 50th Anniversary.

Curricular Connections

The Visual Art of Still Life

Several books by Cooper Edens inspired Steven Dietz to use his imagination and write a fantasy play about characters who take care of the wonders of nature.

  • Read, study, and discuss the stories, poems, and illustrations in these Cooper Edens’ books:
    • Caretakers of Wonder (Green Tiger Press, 1980)
    • Children of Wonder: Helping the Night (Green Tiger Press, 1987)
    • The Starcleaner Reunion (Green Tiger Press/Simon & Schuster, 1979)
    • Now is the Moon’s Eyebrow (Green Tiger Press, 1987)
    • If You’re Afraid of the Dark, Remember the Night (Simon & Schuster, 1979)
    • If You’re Afraid of the Dark, Add One More Star to the Night (Chronicle Books, 2003)
    • Hugh’s Hues (Green Tiger Press, 1988)
  • Discuss, draw, or dramatize other visual wonders which spark your imagination.

A still life is an artistic painting or photograph of inanimate objects.  In our play, a still life scene of an iris in a vase on a table represents a piece of Iris’ memory of her past home.  When Iris rubs the button that fell off her Past Coat, she can see this still life image in her imagination.

  • Draw or paint a still life picture of your favorite memory.
  • Discuss other still life images you have and hold in your imagination.
  • Share a memorable photograph of your family or home with your classmates.
  • Make a still life image or tableau with your body by freezing into a posture, which shows your feelings during a memorable moment in your life.

Reading Metaphors in Language Arts

  • Identify and interpret the different meanings of these visual and verbal metaphors, homographs, and puns which dramatize the play’s main ideas and characters.
  • What keys can you use to find the meanings of metaphors?  How can you unlock your imagination to find the keys of success?  For example:
  • What does Annabel Lee need to be free, and what solution does Iris find?

Iris is the name of the main character and the name of a flower which sits in a vase in Iris’ home.

  • Why does Mister Matternot remove the iris from the vase after he takes Iris’ Past Coat?  Why does he return the iris to the vase near the end of the play?
  • Why does the doll in the glass case look like Iris?  How does this doll represent Iris later in the play?

Memories are inside our minds, but Nocturno characters wear their memories in Past Coats.

  • What colorful memories do you have about your childhood past?
  • What would happen if you lost your memory?  How could you “mend” your memory?
  • Write a short story or improvise a short scene about losing your memory.  What would you do and say if you didn’t know who you were anymore?

What’s your IDentity?   Iris has a button from her Past Coat which helps her find her identity.

  • What objects do you have that identify yourself? 
  • What things would you save in a leather pouch to help you remember your past?
  • Search and find the personal traits of your identity which make you unique.

Even though Iris has lost her memory, she hasn’t lost that part of her identity which helps her find things. 

  • How does she use her imagination and curiosity to find herself and her home?
  • What is Annabel Lee searching for? How does she find it?
  • What is Mozart searching for? How does he find it?
  • How can you use your imagination to find what you’re searching for?

Annabel Lee is also a character in a poem by Edgar Allen Poe.  Read this poem aloud in class and compare this character’s identity with the identity of the character in the play.

Social Rights and Responsibilities

Grotto and Gretta Good govern the Land of Nocturno.  How do you know whether they are “good” or “bad” rulers of their citizens? 

  • What form of government do they use to rule?  What rules of law do they create?  Why?
  • What’s “right” and “wrong” about owning only the one, best of everything?
  • What rights do they take away from Iris and other people?
  • What responsibilities do they have to ensure the common good of everyone?
  • What goods do the citizens of Nocturno provide the Great Goods?
  • Which goods bring happiness and harmony?  Which goods bring sadness?

The Music of Mozart

Wolfgang Amadeus Mozart (1756-91), born in Salzburg, Austria, was a child prodigy who could play the piano and violin by age. He composed his first symphony at age eight and his first opera at age 12, among many other sonatas, concertos, and minuets.

  • In our play, Mozart appears when he is about 11 years old in 1767. Iris wishes for more than one star above Great Island, so Annabel Lee can use more stars to find her lost pirate ship. To make more stars appear, they whistle and hum “Twinkle, Twinkle Little Star.”  Surprisingly, Mozart appears by finishing this same tune as his Twelve Piano Variations in C (K. 265).
  • In our play, Mozart is trying to finish composing the Allegro movement in his Serenade in G major from Eine kleine Nachtmusik (A Little Night Music) K. 525; written in 1787, but he can’t get past the first few notes.  He can only work on this melody at night, because when the sun rises, his ideas vanish.  But with Iris’ help, he finishes this music just before a new day breaks.
  • Listen to the other movements within A Little Night Music, and discuss how their musical forms help dramatize the action in these scenes from the play:
    • Romance: Andante - The Still Life image of Iris’ home.
    • Menuetto & Trio - The Land of Nocturno.
  • Imagine what might happen in the play when you hear Adagio and Fugue in C minor, Serenade in D major: Maestro, or Clarinet Quintet in A: Larghetto.
  • Listen to the music noted above and identify, describe, and evaluate the similarities and differences among Mozart’s musical styles and forms, using appropriate terminology.

The Scientific Wonders of Nature

Nocturno is a fantasy land where characters create the wonders of nature at night.  Discuss the following elements of nature and explain how each really works:

Iris’ Father, the Day Breaker, disappears and reappears 10 years later during the Great Eclipse. 

  • What happens during a lunar eclipse?  Why does he disappear and reappear during an eclipse?
  • Only one star shines above Great Island.  Why does Annabel Lee need more stars to find her ship?  How does she use the stars to find her lost pirate ship?
  • Why does lightning bend into so many different shapes?  What causes lightning?
  • What makes the wind “whistle”?  What “lifts” the fog?
  • Why do ladybugs have spots and zebras have stripes?
  • How do flowers get their paint-like colors?  What makes leaves fall off trees?  How can you preserve a flower or leaf once it’s cut off?

We’d love to hear your ideas about our production.  Please make copies for students and return to Jeanne Klein, KU Theatre for Young People, 1530 Naismith Drive, Lawrence, KS 66045.

Play Review of Still Life with Iris

Reviewed by (name optional)__________________________________________

School ____________________________________________ Grade__________ 

  1. During the play, I imagined or felt:
  2. During the play, I felt like (character name)                                                       when:

    Because:
  3. At the end of the play, Iris learned (a main idea):

    Because:
  4. The thing I liked best about the production was:

    Because:
  5. The thing I liked least about the production was:

    Because:

                                    Teacher’s Guide written by Jeanne Klein