Study Guide

 for

The Maids

Complied by

Jocelyn L. Buckner

production dramaturg

 

 

About the Author: Jean Genet

 

An illegitimate child abandoned by both of his parents at a young age, Genet turned to a life of crime and homosexual prostitution to survive. In 1949 after 10 criminal convictions, Genet faced the threat of life imprisonment. In an effort to save Genet, whom he believed was a promising new leader of FranceŐs artistic community, Surrealist Jean Cocteau, with the help of fellow artists such as Jean Paul Sartre and Pablo Picasso, pleaded successfully to the French President for a dismissal of GenetŐs sentence. Genet avoided prison for the remainder of his life, and continued to publish several works including the novels such as The ThiefŐs Journal (1949) and A Prisoner of Love (published post-humously in 1986), and plays such as The Balcony (1956), The Blacks (1958), and The Screens (1963). In addition to his creative endeavors, Genet became a political activist, affiliated with radical groups such as the Black Panthers in the United States, and the Palestinian Liberation Organization. His activism, like his artistic work, critiqued the abuse of marginalized groups by the social and political elite and urged reforms regarding social inequities.

 

Summary of The Maids

 

Jean GenetŐs The Maids caused a scandal when it opened in Paris in 1947 for its stark portrayal of seething working class discontent. This dark and brooding play depicts two sisters, servants in an upper-class Parisian home, who nightly engage in a secret ceremony of revenge while their mistress is away. The story follows the sisters as they weave through past and present, fiction and fantasy, truth and lies, and finally, detection and escape. For Solange and Claire, the ritual becomes reality as they face the ultimate challenge of despair, jealousy, hatred, and sisterly love.

 

 

Literary and Theoretical Significance

 

Initially produced in Paris on a double bill with a comedy, The Maids was GenetŐs first successful play and an exploration of the social dysfunction inherent in not only the existentialist movement of post-World War II Europe but also his own personal experience. Drawing on notions of role-playing and distancing, Genet explores disparities in power and representations of gender and sexuality within the intimate yet strained relationships between the three women in this play. Genet draws attention to societyŐs normative constructions of gender, class, and sexuality, which contextualize the actions of Solange and Claire as Ômonstrous.Ő By questioning socially constructed identities, The Maids provides a complex, layered challenge to what are considered appropriate feminine roles. Against this fallacy of normativity, Genet challenges audiences to reconsider intimate female relationships and the origins of the violence and passion, which lead Solange and Claire to commit their actions.

 

Historical and Cultural Context

 

The Papin sistersŐ story drew national headlines in France during a time when distinctions between the bourgeois and the common classes were hard and fast, and when the lower class was suspected of less-than-human mentality, animal-like urges, and all types of criminal behavior. The womenŐs actions, which they described as self-defense against an abusive and angry mistress, were condemned by the Paris press and heralded by French Communist Party publications which upheld the killings as an act that spoke volumes about the plight of the French laborer. Additionally, the Communist Party recognized the sisters as victims of gender oppression in a time when civil rights for women in France lagged behind its European counterparts (women did not gain full citizenship and the right to vote in France until after the Liberation in 1944). Truly, this compelling story of ordinary women committing an extraordinary crime catapulted the previously invisible plight of female domestic laborers into the politicized spotlight of French class-consciousness. ItŐs not surprising that Jean Genet, a social outcast himself, found inspiration in the story of the Papin sisters.

 

Post-Show Discussion Questions

 

Consider using the following discussion prompts as part of a post-show class discussion or creative writing assignment:

 

  1. How does Genet explore the complex relationship between Claire and Solange? Do you believe this is an accurate representation of sibling, and especially sister, relationships? How does their relationship compare to your own personal familial relationships?
  2. Consider the use of symbolism in the play. How were elements such as objects, colors, and flowers used to convey meaning?
  3. Consider the symbolic use of the stage space. For example, what was the significance of the divided set?
  4. How was music used to communicate emotion, event, and context in the play?
  5. What themes of The Maids continue to resurface in contemporary films, plays, or novels?
  6. Consider the relationships between the three women. What was the power structure in their relationship? Who controlled whom and how? How did the dynamics of the relationship(s) evolve throughout the play?
  7. How did historical context affect the production concept for this play? Could this story be transplanted to another time/place? Why or why not?
  8. How does social class determine the interactions between the characters? How does it serve to influence their opinions of each other?